Explore the
Universe

Step 1 of 2

Create your profile to get all your Alpha Program notifications in one convenient location.

The Basics

Must contain at least 8 characters, an uppercase character, a lowercase character, a number and a symbol.
By joining the Alpha Universe community, you agree to the Terms and the Sony Electronics Inc. Privacy Policy and certify that you are a U.S. resident. (CA Privacy Notice).
Next

Personalize Your Profile

Step 2 of 2

Create your profile to get all your Alpha Program notifications in one convenient location.

Your Specialty *

(Select All That Apply)


I am a... *

(Select All That Apply)


(Optional)


What kind of camera(s) do you shoot with? *

(Select All That Apply)

https://alphauniverse.media.zestyio.com/Gary-Hart-Yosemite.HJpG8_Jux.jpg?width=500&height=500&fit=bounds

It Ain't Over Till It's Over

(How many photography blogs out there quote Yogi Berra? Just sayin’….) During the 1973 baseball season, Yogi Berra was asked about his last place Mets’ chances in the pennant race. His reply, “It ain’t over till it’s over,” was greeted with chuckles, but Yogi got the last laugh when the Mets rallied to make it all the way to the World Series. I couldn’t help thinking of Yogi’s quote on my drive home Monday night with this image, my final click of the day, still fresh in my mind.

When the weatherman promised snow down to 2500 feet on Monday, I drove to Yosemite late Sunday night so I could beat sunrise and have an entire day to play. And snow I found, lots and lots of it, and still falling. The snowfall continued throughout morning, so heavy that my first few hours were limited to photographing close scenes, interspersed with lots of waiting for conditions to improve. But a little before noon the clouds started to thin and the snow became more showery and I was in business.

When the clearing started in earnest I was at Valley View (but it didn’t look anything like this). The rest of the day I spent dashing around Yosemite Valley, chasing the clouds’ parting and the light that came with it. It’s so much fun watching a storm clear in Yosemite, poised beneath Yosemite Falls or Half Dome or El Capitan, and wait for the big reveal when the clouds to pull back.

For sunset I ended up trudging through about 18 inches of virgin snow to a favorite Half Dome reflection spot by the Merced River, recently rendered much less accessible by major roadwork underway in the valley. Throughout the day I’d crossed paths several times with good friend Don Smith who had driven up for the day with our mutual friends Scott and Mike, and they eventually joined me at sunset. As we shot we shared stories of the day—for example, how they had just missed getting crushed by a falling tree (true story). After a half hour of really nice photography, a large cloud set up shop atop Half Dome right around sunset, completely obscuring the scene’s main attraction. Satisfied with a tremendous day of photography, we declared the day, “Over.”

It wasn’t until I was back at my car that fully appreciated how wet everything was—my gear, my car, and even me (a day of plunging through snowdrifts had been enough for the snow to find its way over the top my waterproof boots and underneath my waterproof outer pants). I decided I’d swing into Valley View on my way out of the valley to use the bathroom and change into drier clothes. In the back of my mind was possibility of a parting shot of El Capitan in the late, blue twilight.

The west end of Yosemite Valley gets much less winter sunlight, so while trees had already started shedding the snow on the east side (where I’d photographed sunset), I pulled in at Valley View to find virtually every exposed surface still glistening white. Bridalveil Fall and Cathedral Rocks clearly visible in the fading light, but El Capitan was cloud-shrouded from top to bottom. Still quite cold, tired, and more than a little hungry, this would have been a perfect excuse to beeline home. But the scene was so beautiful, and the light so perfect, that after changing my clothes I just sat in my car, peeled an orange, and waited for El Capitan to show itself.

I didn’t have to wait long. At the first sign of clearing I hopped out and was completely set up by the river before El Capitan appeared. Bumping my ISO to 800, I composed the standard horizontal frame with El Capitan on the left, Leaning Tower on the right, and the Merced River in the foreground. Often the most difficult thing about shooting in low light like this is finding focus, but despite the fact that it was more 30 minutes after sunset, my Sony α7RII was able to autofocus on Cathedral Rocks. I spent a several clicks refining that original composition and was about to call the day “Over” one more time when something moved me to shift my view to the right. As soon as the image popped up on my LCD I knew I was onto something. I refined for about a half dozen more frames, culminating with the one you see here, until I was satisfied that a great day truly was over.

The lesson here, one I learned many years ago but I see many photographers struggle to grasp, is that the camera can still do fantastic things long after your eyes tell you the show is over. Another satisfying reminder from this day is that it’s still possible to enjoy Yosemite in glorious peace. As someone who has seen Yosemite at its congested worst, I relish the solitude possible when I choose times that the average person (tourists, fair weather photographers) won’t venture out: miserable weather, late at night, before sunrise. The entire time I was out there at Valley View that evening I was alone, and only two cars drove by. As Yogi would say, “Nobody goes there anymore—it’s too crowded.”

JOIN

Shop Now

Banner image

Yosemite in 4K

What’s In My Bag: Gary Hart For Landscapes

5 Tips For Landscape Photography

Why The Alpha 7R V Is A Pro Workhorse

8 Lenses For Capturing The Thrill Of Victory And The Agony Of Defeat In Sports

Promos

Save with Sony Special Pricing
Did you like what you just read?

Take a minute and share this story with your friends.


Banner image